TILT丨探索“黑暗”中城市声音的质感和无限想象的空间

浏览 122 次  2018-11-30 09:44  来源: RENDEZVOUS月乐约


或许在大多数人眼中,黑色是最黑暗、最单调的颜色,而在长笛演奏家Joce Mienniel眼中,
黑色却是比其他颜色更加明亮的颜色。他将这样的理念应用到专辑《TILT》之中,在他看来,这张专辑中的音乐就如同是对于黑色的多重探索,并通过这样的探索将其变成万花筒般绚烂多彩的艺术品

Maybe most of people think that black is the most dark and humdrum color in the world, but in Joce Mienniel's mind, black a greater brightness than in any other color. He put such concept into the album TILT and he believes the music's explorations of the various shades of black open his art to a kaleidoscope quality of the TILT project.


                                                                                                                                                         


关于Joce Mienniel对待黑色的看法,源自于蓬皮杜艺术中心举办的一次展览,其中展出了法国著名画家Pierre Soulages的一些作品。Pierre Soulages被称作是“黑色的画家”,他认为,当光线反射到黑色上时会发生一些转变。他将光线也视为是自我艺术创作的一个材料,Pierre Soulages在画作的黑色表明添加了一些经过处理的条纹图案令画作可以反射光线,这使得黑色从黑暗之中突显出来并变得更加明亮,成为一种闪闪发光的颜色

The idea towards black of Joce Mienniel is inpired by an exhibition held by Centre Georges Pompidou in 2010. It exhibited some art pieces of the French famous painter Pierre Soulages. Pierre Soulages is referred to the painter of black and he thinks when light is reflected on black, it transforms and transmute it. He sees light as a work material and striations of the black surface of his paintings enable him to reflect light, allowing the black to come out of darkness and into brightness, thus becoming a luminous color. 


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Pierre Soulages与他的画作《Outrenoir》(超越黑色)


而另一个给予专辑《TILT》启发的灵感来自于著名作家Cormac McCarthy的小说《长路》。Joce Mienniel选择用这部小说中的一句话来代表这张专辑:他从深夜中醒来,发现黑暗遮盖了万物,难以穿透。那黑暗甚至会刺伤你的耳朵。(The blackness he woke to on those nights was sightless and impenetrable. A blackness to hurt your ears with listening.)而阅读过这本小说的人们,一定能从《TILT》这张专辑中获得共鸣:世界末日之时,文明沉睡,大都会被永久性的毁灭并埋葬了起来

Another inspiration of the album TILM is from the famous writer Cormac McCarthy's noval The Road. Joce Mienniel extracts a quote from the novel to represent this album: The blackness he woke to on those nights was slightless and impenetrable. A blackness to hurt your ears with listening. 


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        Cormac McCarthy的小说《长路》(The Road)


在这张专辑中,TILT试图来传达城市声音的质感。乐曲被分成了三个部分:开场曲,三部组曲(城市之声、远离海岸的霓虹都市、城市之下的花朵)以及结束曲。我们仿佛闻到了城市空气中不同金属物质、化学元素甚至土地的味道;我们仿佛穿过了那些令人厌恶的街区,体会到鞋底被道路上炙热的沥青所黏住的感觉。专辑《TILT》中的音色和质感图通电影镜头一般,将你拽入到它所描述的城市之中。

TILT trys to convey the texture of the city sound with the record. It consists of an opening, three suits (Le son des villes, Neon Metropolis Offshore and A Flower from the City Beneath) and the epilogue. We breath atmospheres of metel, chemical and telluric; we across bad neiborhoods—the soles sticking on the hot asphalt. The timbre and texture of this record just like the cinematography and drag you into the city it describes.


                                                                                                                                                         


Joce Mienniel这样描述《TILT》这张专辑:“这张专辑中音乐的节奏都很慢,就如同心跳的节奏一般。它是一种很前卫的音乐,带给人们一种看电影般的享受。有时会偏摇滚乐一些,有时又会偏极简风格一些,这样的音乐会给听众留下一些想象的空间。”而聆听这幢专辑就好像是体验一段音乐旅程,随着那令人窒息的节奏穿越多不同的城市,感受城市中空旷的宁静。

Joce Mienniel presents the album as 'a very slow music, close to heartbeat. It is a progressive music, exploring cinematographic terrains. Sometimes more rock, sometimes more minimalist. It is above all a music that leaves room for imagination.' Listen to the music of TILT is to embark on a musical journey, arcossing cities with breathtaking rhythms and large expanse of calm.


                                                                                                                                                         


这张专辑的主题与城市有关,乐队中的成员运用手中的乐器来呈现出有关城市的质感。例如在《城市之声》(Le son des Villes)这部组曲中,Vincent Lafont所弹奏的电气钢琴创造出那种鞋底被烤热的沥青所黏住的氛围,以此来体现“锂”的特质(《城市之声组曲第二首为《锂》);而在《城市之下的花朵》(A Flower from the City Beneath)这部组曲中,吉他手Guillaume Magne通过精湛的演奏技艺,将《橙色流星》(Orange Meteor)抽象般的碎片感体现了出来;鼓手Sebastien Brun则通过强劲有力的鼓声将城市的感觉同城市的轮廓链接了起来,使音乐中的“城市感”更具象化

The theme of this album is related to the city and members in the band use their instruments to present the texture of the city. For example, in the suit Le son des Villes, Vincent Lafont plays Fender Rhodes to create the torried ambient of his tarmac that heats and sticks to the soles, when walking in an atmosphere saturated with 'Lithium'; guitarist Guillaume Magne use his techniques to illustrate the more abstract fragments of Orange Meteor from the suit A Flower from the City Beneath; the heavy drumming of drummer Sebastien Brun connects the urban sense marries the contours of the cities.


                                                                                                                                                        


TILT希望这张专辑能够让听众们感受到关于黑色不同的一面,用心倾听,并沉浸其中,从而发现“黑色”是一种不同寻常的力量。而这正如TILT的音乐一般,拥有着无限的可能性,在经过一定的探索之后,会展现出比其他颜色更明亮的亮度

The band TILT hopes the record could gives a different way of feeling blackness, to listen to it, to immerse itself in it, which will find that black is a singular force. It is just like TILT's music that reveals an infinity of details to the point of uncovering greater brightness than in any other colors.



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